Maurice Selmer, the son of Henri, directed ‘ Editions Selmer’, founded in 1934. Part of the company’s activity was the publication of scores. He sings about it in a recording of ‘Laughin Louie’ “my little Selmer trumpet, bless her little heart…” Satchmo played this instrument unconditionally. Django Reinhardt took one as his favourite guitar and made them popular around the world until even today.Ī year later the ‘ Balanced’ trumpet model with offset valves was brought center stage by none other than the King of Jazz, Louis Armstrong, who would be it’s ambassador. Using ingenious concepts and complex fabrication that became renowned, these guitars were produced for 20 years in the Mantes workshops.
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In 1932 Selmer Paris joined forces with the luthier Mario Maccaferri to produce guitars. The reputation of the company is known around the world with 80% of the production exported to Europe, the United States, Asia and South America.Ī spirit of diversification will be present in the next 3 years at Henri Selmer Paris. There are now 175 people working to manufacture 300 instruments a month. The brass family then found itself in the Selmer Paris catalogue. With the integration of this knowledge, expertise and personnel, Selmer became the inheritor and successor to the inventor of the saxophone. In 1929 Henri Selmer purchased the Adolphe Sax workshops, which were also in Montmartre, at 84 rue Myrha. The range of instruments on offer came to include the entirety of the woodwinds, as one can see in the 1928 catalogue. This golden age saw the release of the metal clarinet and a Grand Prix for the Selmer Paris range of instruments at the International Exhibition in Geneva. It is still engraved on each instrument, mouthpiece and reed, guaranteeing the original ‘Henri Selmer Paris’ brand. In 1926 the current Henri Selmer Paris logo appeared, with its crown of laurels. At this time 50 people were working in the factory producing 30 saxophones a month. Never before seen improvements were brought to the manufacturing process, notably concerning tone hole pulling which is a technique still in use today by manufacturers over the world. Naturally Selmer Paris was inspired by this and brought out their very first saxophone in 1922. The technical direction was undertaken by Maurice and Henri Lefèvre, two of Henri Selmer’s sons in law.Īt the time, the saxophone, still a young instrument, would experience an extraordinary popularity in the United States between 19 known as the ‘ saxophone craze’. This expansion would continue and in 1919 the factory in Mantes-la-Ville was inaugurated and Maurice Selmer, Henri’s son, joins the company. In the 1910 catalogue, almost all members of the clarinet family are present and around 20 workers and apprentices make up the manufacturing team. This organisation, which is today Conn-Selmer, distributes the Henri Selmer Paris brand throughout the United States and Canada. In 1905 before returning to France, Alexandre would entrust this boutique to one of his best students, George Bundy. This ever-increasing success continued with the opening of a boutique on 86th street in Manhattan, where Henri’s French-made instruments where sold. The acoustic qualities and the perfect manufacture of his clarinets won him a Gold Medal. In 1898 Henri Selmer began the manufacture of his first clarinets and would go on to participate, only 6 years months later, at the Saint Louis World’s Fair in the United States. Īt this time Alexandre his younger brother, also a clarinettist, left for the United States, where he would join various orchestras including those of Boston and Philadelphia. He would notably perform under the baton of Gustav Mahler as first clarinettist of the New York Philharmonic.
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He set up in Montmartre, at number 4 Dancourt Place, where a creative environment has long attracted artists from all over the world. It was in 1885 that Henri Selmer founded the enterprise that began manufacturing reeds and mouthpieces.
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During his career he performed as solo clarinettist with the Lamoureux and Paris Opera orchestras.Īt the same time he developed an already well known savoir-faire for refacing mouthpieces and working on reeds. After graduating from the Paris Conservatoire in 1878 at the age of 22, Henri Selmer joined the orchestra of the Garde Républicaine.